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There were a few different books that crossed my desk that I’m sure influenced All This Could Be Different in so many ways. One of those books was Lucy by Jamaica Kincaid; there are some similarities in, I think, the main characters’ temperaments and relationships to their homelands. I also think about Halle Butler’s The New Me, which I finished right as I finished a complete draft of my book. I read Luster by Raven Leilani after I sold the book, and I thought, Wow, there are all these ways in which it feels like my book is in conversation with this brilliant novel, and that feels cool and special. I’m explicitly interested in this idea of the art we make as a long conversation across time and space.
During my grad program, somebody read the novel I’d been working on at the time—which also focused on a brown, queer immigrant and was very much about her long-term life story and the experience of migration and all the rest of it—and kind of gave the feedback of, “I think this book can choose to focus on queerness, or it can choose to focus on race and immigration, but I don’t think you can do both.” They sort of made the observation that, you know, in Giovanni’s Room, James Baldwin didn’t try to show someone who’s Black and gay, right? He chose one lane. I walked home from the coffee shop and cried, which is not my general vibe. I know that this person was coming from a good place, and I get that they were actually articulating something real, which is that sometimes you do have to choose what you center thematically. I felt really haunted by this notion that we live single-issue lives and our characters live single-issue lives, and that simply has not been my experience.
I’m curious about your decision to include moments when Sneha “messes up” on issues having to do with identity—for example, dismissing a potential date as too fat and dark-skinned for her. Was it important to you to showcase those moments? I think there are multiple pieces to this. I think that ultimately, I first and foremost think of myself as a writer of fiction, and thus I define my job as creating worlds that are as honest as and intimate as possible, that respect the readers who choose to give their time over to the world I’m creating. I think there are various ways to erode intimacy, and one of them is through certain kinds of pretensions and safeguarding, right? It is an absolute delusion that many young, lefty people sometimes indulge in, that everyone is perfect and should very carefully walk a tightrope of moral purity at every given second. One of the things that I hope the novel sort of gestures towards is that everyone is imperfect, and that does not make them disposable. Everyone has a deeply specific personal history streaming out behind them like jellyfish tentacles, and that personal history has everything to do with what they are politically primed to believe. The way in which we approach disagreement is one measure of our belief in community.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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