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Renfro, the studio responsible for re-imagining some of New York’s most upscale public spaces, certainly is. “Robert Moses’ negative legacy deserves at least one round of debate,” she said. Diller’s studio has notably designed The Shed and helped recreate the contiguous High Line in Moses’ history which is now a site of rapid evolution. “It’s hard to ignore the fact that Straight Line Crazy is opening its doors at The Shed, a space the city is dedicated to a new, independent cultural entity in a mega-development of soaring towers. Ironically, the audience will be asked to contemplate with great clarity the ambiguous legacy of Moses amid a city of fluctuating values. ” Fiennes is also predicting a reaction. “Traditionally, New York audiences are much more vocal and expressive. I wouldn’t be surprised if we got a more direct response from people, Nice messy Bun Funny Thanksgiving Shirt! as everyone cheers for the young Black architect who challenges Moses in the second half of the play. I hope so. When I read the play, my first thought was, I hope we can bring it to New York.